Rodia decorated his structures using found objects: bed frames, bottles, ceramic tiles, scrap metal, sea shells, and damaged pieces from the Malibu Pottery, where he worked for many years. Green glass includes recognizable soft drink bottles, some still bearing the logos of 7 Up, Squirt, Bubble-Up, and Canada Dry; blue glass appears to be from milk of magnesia bottles.
But whatever the case, he had a vision and his work is beautiful and inspirational. Today it's an oasis in a harsh inner city where you see more barbed wire than beauty.
Simon Rodia is quoted as saying, "I wanted to do something...something big...and I did it."
According to Wikipedia, Rodia reportedly did not get along with his neighbors, some of whom allowed their children to vandalize his work. Rumors that the towers were antennae for communicating with enemy Japanese forces, or contained buried treasure, caused suspicion and further vandalism.
In 1955, Rodia gave the property away and left, reportedly tired of the abuse he had received. He retired to Martinez, California, and never came back. He died a decade later.
The curator of the museum was nice enough to explain and show us a 15 minute video about the Watts Towers and Simon Rodia (pronounced incorrectly by the documentary narrator as Rodilla, the name that was given to him by Simon Rodia's Spanish speaking neighbors, but incorrectly pronouncing the silent "L").
She's so used to having her photo taken that now when she does something cute she says, "Mom, take a picture!"
I've been to Watts Towers and the museum before, but it was the first time for U. and Astrid.
If you're planning on visiting the towers for the first time, I would recommend you go on a weekend, or call ahead of time to schedule a tour. Otherwise, you will not be allowed to walk inside, and can only see the structures from the outside parameter.
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